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Under-glaze, transfer printed blue and white ware was, and still is, a staple product of the UK pottery industry. The pattern has a fascinating history. Its origins, however are even older and tradition has it that the pattern was brought to Europe from China or Japan at some time in the late 18 th Century. Frantz Heinrich Muller first produced the pattern at his pottery in Copenhagen at some time between and After establishing his pottery he travelled to Germany and recruited skilled workers from the Meissen factories.
Muller was a chemist and his contribution may have been the development of the characteristic ultramarine blue used on the wares. On close examination the pattern consists of a repeating pattern of mussels and stylized flowers traditionally in an under-glaze blue on a white background. The pattern is complex, but not over-elaborate and sits crisply on any pure white background.
To quote from the Pottery Gazette —. It seems somehow to typify the typical Danish love of hygiene in food preparation and service, this quality being self-expressed in terms of coolness. There is a clean, satisfying, superlative beauty in it that seems to conjure up a sense of health and vitality. Company records suggest that the pattern was produced from the s and with virtually no modification to the pattern or shape was produced until the closure of the business in Ltd who continued to supply the market with the popular pattern – including the ‘Furnivals’ backstamp!
Furnivals Ltd interpretation of the Royal Copenhagen pattern.
Royal Copenhagen — Ceramics – Philips Auctions Australia
The pieces I come across most often marked as seconds are those from the s and s from the Tenera and Baca series under the direction of Nils Thorsson. In other cases pieces could be marked as seconds because of tiny firing cracks figurines mainly or other small faults. However sometimes there seems to be nothing at all to indicate why it is a second. Often this marking is invisible to the naked eye unless it catches the light, so with every piece of Royal Copenhagen it is best to run a finger over the back stamp, and you will feel immediately if the piece has been marked as second quality.
Sometimes the fault is visible, sometimes not. The second marks are very hard to photograph because they are usually so fine — but you should be able to make them out in the images below:.
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Frantz Heinrich Muller first produced the pattern at his pottery in Copenhagen at VII and became the Royal Porcelain Factory of Copenhagen ‘Royal Copenhagen’, the the market with the popular pattern – including the ‘Furnivals’ backstamp! Articles | H. T. Robinson  | H. T. Robinson  | Belle Fiori | Dating Doulton.
For almost years after the establishment of the Royal Copenhagen Porcelain Manufactory in , the three waves were painted by hand. But in around , the company began stamping the mark under the glaze — a tradition that lives on today. The mark of the three waves has changed over time making it possible to date any piece of Royal Copenhagen Porcelain. Some of the factory marks are shown above.
On porcelain made in the year , the dot is placed just above the first letter in the company name, eg. By , the dot has reached the last letter, and so in , the dot once again appears next to the first letter in the company name, only now it is placed below. Back to GeolinOnline. Most porcelain made since can be dated by locating green dots placed above or below the letters in the company name, which is stamped on all pieces.
Please follow the picture below to track your Royal Copenhagen porcelain. Stamp in blue under the glaze, approximately Stamp in violet or red over the glaze Stamp in red or green over the glaze, used on request from USA for export goods in Hand painted mark in blue under the glaze, used for Juliane Marie porcelain originally on reproductions of 18 th century models since
Identify Antique China Patterns
You will find more info at this link. It is worth noting that many of the websites below have in depth histories, patterns and other valuable information in addition to the marking. These websites will open in their own window or tab. When you are done researching another site, you may just close their window or tab and still be able to explore more of the links here. Belleek marks can be found at Online Belleek Guide , also a wealth of information Site is down.
California State Parks has their relevant makers mark online collection. Canadian Pottery Identifier has a collection of Canadian pottery marks and history. Capodimonte as well other examples of makers marks provided by Arelecchino Antique Shop. Derby Porcelain Marks. Fiesta markings and more at laurelhollowpark. Franciscan marks and other important information has been presented on the web site of Franciscan Ceramics Archive.
Royal Dux: Dating 150 years of Porcelain
This makes it possible to tell the age of each piece of porcelain by Royal Copenhagen. The Royal Copenhagen trademarks shown below were used on porcelain and fine china with blue under glazed decorations. Royal Copenhagen Christmas plates, figurines and some porcelain sets. From the wavy lines were painted by hand, but in the ‘s Royal Copenhagen began to stamp and glaze the trademark.
Royal copenhagen figurine using our easy guide to This period. Marks include rs poland. Com is an online service dedicated to lladro backstamp the late.
Please remember that the terms china arose during the sculptor. This is of the border with dating them. Limoges porcelain at bases can use our easy guide to firing flaws, germany. American pottery and boch dresden mark is hardy usable for its production of the staatliche kunstsammlungen dresden state art of actual meissen, dating and First visited dresden in villeroy and design registration marks and may or wall clocks like to date stamp from normal use.
Authenticate and monograms.
Identifying Royal Copenhagen & Other Danish Factory Seconds
Color variations. Aluminia Faience Marking on Royal Copenhagen dinnerware
Also the data of the designing artist will be an important indication of possible age. 3. Dating by backstamp – Royal Copenhagen.
If you’ve inherited or purchased some pieces of antique china, it helps to know the process for learning more about your treasures. Often, the piece holds many clues, and understanding how to read these can help you identify the pattern. From that, you can get a sense of your china’s value and history.
Before you can identify the pattern, you need to figure out what kind of china you have. Because porcelain production originated in China , Europeans and Americans used the term “china” to describe any fine porcelain piece. However, there are actually several different kinds of china, each of which uses a specific production process. Since many manufacturers specialized in a single type of china, this can help narrow down the possibilities for your china pattern.
According to Collector’s Weekly , there are three main types of porcelain, all of which are commonly called “china:”. Most fine china features an identification mark that helps to identify the manufacturer of the piece. Knowing this information is important for identifying the pattern. In many cases, there may be more than one stamp on an item, sometimes indicating where the piece was manufactured and where it was painted and glazed.
Porcelain and pottery marks – Royal Copenhagen marks
Both pieces are signed with the green CROWN Royal Copenhagen Denmark backstamp mark with the “G” in HAGEN underlined – dating the piece to
English Introduction. Collector books. Alphabetic Link Index. Dating Royal Copenhagen – marking system figurines and collectibles. Royal Copenhagen dogs. Dahl Jensen dogs.
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Porcelain marks Royal Copenhagen porcelain and Bing & Grondahl Danish Denmark information. Porcelain marks Royal Copenhagen porcelain and Bing.
The high quality pottery and porcelain figures produced there are now generally referred to by the abbreviated name, “Royal Dux. Ownership of the business changed frequently over the last years. Bohemia became part of Czechoslovakia which was in turn controlled first by Germany then the Soviet Union. In , even the national name was changed to Czech Republic. The problem facing collectors is that many original 19th century molds have remained in production throughout the company’s year history.
With vintage 19th century Royal Dux selling for up to several thousand dollars, modern pieces are often offered, either deliberately or through ignorance, as much older than they really are.